Horse And Rider (Frink)

Horse and Rider is a 1974 bronze equestrian sculpture by Elisabeth Frink. The work was commissioned for a site in Mayfair; another cast is in Winchester. It was described by Frink as "an ageless symbol of man and horse". One of Frink's earliest sculptures from 1950 was also titled Horse and Rider, and she returned to this subject over decades. A series of Frink prints from the early 1970s held by the Tate Gallery depict a horse and rider. Frink lived in southern France in 1967 to 1970, near the Camargue. She was inspired to create more works portraying horses; an example of a similar horse sculpture from the early 1970s is at the Cass Sculpture Foundation. The work was commissioned in 1974 by Trafalgar House for its development at the southern end of Dover Street, London, near the junction with Piccadilly, opposite The Ritz. It was modelled in plaster then cast in bronze in 1975 at Frink's studio in Southwark. It measures 244cm high. Frink also cast a small version, in an edition of nine in 1974. The sculpture depicts a man riding on a horse, naked and barefoot, without tack – no saddle, bridle, or other riding equipment. The man's right hand rests on the horse's stylised mane, with his left hand resting on the horse's left flank. The horse is standing still on four legs, ready to walk, on a rough bronze base. The figures of man and horse are slightly stylised, with lightly defined musculature; the horse has a short mane and tail. Both have their heads turned to their left, as if looking at something.

Horse and Rider is a 1974 bronze equestrian sculpture by Elisabeth Frink. The work was commissioned for a site in Mayfair; another cast is in Winchester. It was described by Frink as "an ageless symbol of man and horse". One of Frink's earliest sculptures from 1950 was also titled Horse and Rider, and she returned to this subject over decades. A series of Frink prints from the early 1970s held by the Tate Gallery depict a horse and rider. Frink lived in southern France in 1967 to 1970, near the Camargue. She was inspired to create more works portraying horses; an example of a similar horse sculpture from the early 1970s is at the Cass Sculpture Foundation. The work was commissioned in 1974 by Trafalgar House for its development at the southern end of Dover Street, London, near the junction with Piccadilly, opposite The Ritz. It was modelled in plaster then cast in bronze in 1975 at Frink's studio in Southwark. It measures 244cm high. Frink also cast a small version, in an edition of nine in 1974. The sculpture depicts a man riding on a horse, naked and barefoot, without tack – no saddle, bridle, or other riding equipment. The man's right hand rests on the horse's stylised mane, with his left hand resting on the horse's left flank. The horse is standing still on four legs, ready to walk, on a rough bronze base. The figures of man and horse are slightly stylised, with lightly defined musculature; the horse has a short mane and tail. Both have their heads turned to their left, as if looking at something.