Flat Time House

Monday: -
Tuesday: -
Wednesday: -
Thursday: 12:00 - 18:00
Friday: 12:00 - 18:00
Saturday: 12:00 - 18:00
Sunday: 12:00 - 18:00

About Flat Time House

Flat Time House is the home and studio of the late British artist John Latham. It has been open to the public since October 2008 with a programme of exhibitions and events, and as an archive and research centre.

Flat Time House Description

Flat Time House is the home and studio of the late British artist John Latham. It has been open to the public since October 2008 with a programme of exhibitions and events, and as an archive and research centre.

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Join us at Flat Time House tomorrow for the opening of: ANNIKA KAHRS the billion year spree. 7th March 6.30-9pm
In her first UK solo exhibition, Kahrs presents new work using music and scores in film, performance and installation responding to John Latham's cosmology and Flat Time House.
More info: https://bit.ly/2Tk9ZEU

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With contributions by: Louis d’Heudieres, Felix Kubin, Julian Mader Max Prediger, Marius Schwarz and Dr. Saskia Steinmann
For her first solo exhibition in the UK, Annika Kahrs presents the billion year spree, a selection of new works using film, performance and installation commissioned in response to and positioned throughout Flat Time House. For "the billion year spree" she has focused her research into John Latham’s holistic cosmology of time and the universe, and how this... might be visualised through time-based music and the atemporality of scores.
'the billion year spree' is accompanied by a series of performances, concerts and talks on music, sound and scores.
The title of the show derives from a 1970’s science fiction encyclopedia by Brian Aldiss, a collection of past imaginings of possible futures. Kahrs brings together her research into Latham with other perspectives via her research with Max Planck Institute for Gravitational Physics (Albert Einstein Institute) in Potsdam-Golm, Germany, the realm of psychiatric neuroimaging, and the search for cosmic gravitational waves via research with LIGO Scientific Collaboration and Virgo Collaboration. From these starting points her work focuses on systems or forms of communication, interpretation and translation. Using music and sound she shifts or assembles what we hear through a performative process, making timelines intertwine and auditory perceptions interact.
Annika Kahrs b. 1984 is an artist who primarily works with film, performance and installation. In her work she examines representation and interpretation; she is interested in both social and scientific constructs, as well as evolved organic relations such as those between humans and animals. Her films oscillate between obvious staging and documentary-like observation. Music is very important in her films; through her selection, and the ensuing adjustments during the editing process, the score turns to film, and, subsequently, this film as score can turn into another film in the viewer’s mind.
Annika Kahrs has been awarded a number of prizes and scholarships including the George-Maciunas-Förderpreis in 2012, and first prize at the 20th Bundeskunstwettbewerb of the German Federal Ministry of Education and Research in 2011. Kahrs has exhibited internationally, including at the Hamburger Bahnhof – Museum für Gegenwart, Berlin, 5th Thessaloniki Biennale of Contemporary Art, Greece, On the Road exhibition in Santiago de Compostela, Spain, the Bienal Internacional de Curitiba, Brazil, Hamburger Kunsthalle, KW Institute for Contemporary Art, Berlin and the Velada de Santa Lucia festival in Maracaibo, Venezuela.
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As part of Annika Kahrs' exhibition the billion year spree, Flat Time House is delighted to host a unique concert by the renowned experimental musician Felix Kubin. For this one-time event, the composer, radio-playwright, curator and media artist has been invited by Kahrs to perform within her exhibition and inside the domestic environment of Flat Time House.
Tickets are pay what you can, but numbers are strictly limited.
He began recording and performing electronic new wave... music at the age of 12. After a period of post-industrial experiments in the early 90s he turned to futuristic pop music and launched the independent record label “Gagarin Records” in 1998. Over the past decade he has performed at over 100 international music and media arts festivals including Sonar, Transmediale, Mutek, ISEA, Wien Modern and Ars Electronica.
Since 2001, Kubin has been writing and producing radio plays for national radio stations WDR, BR, DLR, SWF and Vienna’s ORF Kunstradio. His radio plays were awarded several prizes, amongst them Prix Phonurgia Nova (for „Säugling, Duschkopf, Damenschritte“), Best Radio Play Of The Year and Best Audio Book (for „Orphée Mécanique“). He has also composed music for film and theatre productions, including work by Christoph Schlingensief, Mariola Brillowska, Marie Losier, Martha Colburn and Schorsch Kamerun. Since 2005, his commissions include writing compositions for chamber orchestras. He has created exclusive works for a.o. “Internationales Musikfest” (Hamburg), “MaerzMusik” (Berlin), “Art’s Birthday” (Berlin), “NDR das neue werk” (Hamburg), “Borealis” (Bergen), “Presences Électronique” (Paris) and the Institut für Medienarchäologie (Vienna). In 2017, he hosted 20 episodes of his live radio show “Me & My Rhythm Box” for Savvy Funk, the dOCUMENTA 14 radio.
Furthermore, Kubin has been invited to give workshops and lectures at art institutions and universities in Europe, the USA, Canada and South America. From 2013-2015 he taught experimental film sound at the HfBK (university of fine arts) in Hamburg.
His music is released on editions Mego, A-Musik, Dekorder, Minimal Wave and his own label Gagarin Records.
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ROAR VOL. I SOUND PERFORMANCE AND IN-CONVERSATION EVENT
With Giulio Dal Lago, Naz Balkaya from Panicattack Duo, Marta Melià Curated by trans-
...Continue Reading

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Today at FTHo 4-6pm, a week of research at FTHo by RCA Sculpture artists culminates in a presentation of their performative and propositional artworks. See you there!
Participating artists: Oisín O'Brien, Hannah Schmutterer Meriel Clarke, Tristan Pigott, Audrey Roger, Syed Zaman, Sasha Cherkasova, Dolly Kershaw, Clara Pereda, Federico Piccolo, Flore Mycek, Lucy Bird, Oliver Collins and Georgia Adams. Organised by Joanne Tatham

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OPEN CALL: Interested in working with socio-political issues, community-oriented practice and/or public contexts? Apply to our a research and development programme Constellations 2019 in partnership with UP Projects! >> https://bit.ly/2WS7YOf

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VERMEIR & HEIREMANS — MASQUERADE FILM SCREENING AND IN-CONVERSATION
Friday 14 December 6.30 - 9pm
... Screening starts at 7pm followed by In-Conversation and Refreshments
In their practice, Belgian artist duo Vermeir & Heiremans define their own house as an artwork, using it as a framing device to focus on the growing financialisation of the arts, urban space and daily life. The artists employ financial tools, historical references and cinematic language to reflect on art's role in the production (and possible distribution) of value in today’s artistic and non-artistic realms.
On the occasion of Vermeir & Heiremans' solo exhibition A Modest Proposal (in a Black Box) at Pump House Gallery, Battersea, FTHo is hosting a screening of their film Masquerade, which describes the development of the experimental financial index Art House Index. For this event the 'live' version of the work will be shown whereby the financial market influences the real-time 'cutting' of the film. The screening is followed by the artists in-discussion with FTHo curator Gareth Bell-Jones about their practice, and in particular the 'house as artwork’.
Free, but space is limited, reserve a place via the event page
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VERMEIR & HEIREMANS — MASQUERADE FILM SCREENING AND IN-CONVERSATION
Friday 14 December 6.30 - 9pm
... Screening starts at 7pm followed by In-Conversation and Refreshments
In their practice, Belgian artist duo Vermeir & Heiremans define their own house as an artwork, using it as a framing device to focus on the growing financialisation of the arts, urban space and daily life. The artists employ financial tools, historical references and cinematic language to reflect on art's role in the production (and possible distribution) of value in today’s artistic and non-artistic realms.
On the occasion of Vermeir & Heiremans' solo exhibition A Modest Proposal (in a Black Box) at Pump House Gallery, Battersea, FTHo is hosting a screening of their film 'Masquerade', which describes the development of the experimental financial index Art House Index. For this event the 'live' version of the work will be shown whereby the financial market influences the real-time 'cutting' of the film. The screening is followed by the artists in-discussion with FTHo curator Gareth Bell-Jones about their practice, and in particular the 'house as artwork’.
Free, but space is limited, to reserve a place visit https://bit.ly/2C48rEJ
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Part memoir, part road map of the burgeoning British Underground of the 1960s, Jeff Nuttall's notorious book Bomb Culture has remained out of print for fifty years.
FTHo's new show The Psychopathic Now! marks the 50th anniversary republication of Bomb Culture by Strange Attractor Press. Join us at the opening this Friday for an in-conversation with the book's editors Douglas Field and Jay Jeff Jones chaired by writer Fanny Paul Clinton.

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THE PSYCHOPATHIC NOW!
JEFF NUTTALL’S BOMB CULTURE AND THE INTERNATIONAL UNDERGROUND
Organised by Strange Attractor Press in collaboration with Flat Time House. Curated by Douglas Field, Jay Jeff Jones and Jamie Sutcliffe
... Opening with In-Conversation Event: Friday 23rd November from 6.30pm
7-8pm In-conversation with Douglas Field, Jay Jeff Jones and Paul Clinton
8-9pm Drinks
Exhibition Continues to 15th December
Out of print for fifty years, Jeff Nuttall's book Bomb Culture (1968) has achieved legendary status as a powerful, informative, and spirited exploration of 1960s alternative society and counterculture. This confessional account of the period investigated the sources of its radical art, music, and protest movements as well as the beliefs, anxieties, and conceits of its key agitators, including Nuttall’s own.
Gathering together many small press publications, fragments of charged ephemera, historical documents and correspondence, The Psychopathic Now! is a modest attempt to illustrate something of the complex milieu out of which Bomb Culture erupted.
The Psychopathic Now! marks the 50th anniversary republication of Jeff Nuttall's Bomb Culture by Strange Attractor Press. The book will be launched at the exhibition opening with an in-conversation with the book’s editors Douglas Field and Jay Jeff Jones, chaired by writer Paul Clinton. Free, no booking required.
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FTHo recommends Open School East 2019

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This Sunday Lou Lou Sainsbury leads Wild Combination, a guided tour on how to be wild and other peculiar classifications.
4pm is now fully booked but there are still a couple places left for 12noon.
Join us for this performative workshop with readings, moving image, walking and writing exercises, drawing from research into depictions of strange creatures in Medieval bestiaries. In the time-travelling tour through Flat Time House, Wild Combination explores issues of representa...tion, wildness and belonging; working towards a new classification system of inhabitants/living beings everywhere.
This is a live-performance & workshop - participants are invited to take part in some movement & writing based exercises. The level of participation is up to you. All living beings (including blemmyaes and cenocephalys) are welcome.
As there is limited space for participants, please RSVP with your preferred time to: WildCombinationFTHo@gmail.com
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We are very excited to bring you the latest edition of NOIT, written by John Latham's son Noa and now the most comprehensive overview of John's work available. We are launching this Friday 4-6pm as part of the London Art Book Fair at Whitechapel Gallery
https://bit.ly/2Nd2g7U
https://www.facebook.com/events/243090309 677664/?event_time_id=243090323010996


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This Saturday we are delighted to host the launch of On Violence edited by Sharon Kivland and Rebecca Jagoe. The readings are now fully booked but please join us for drinks from 6.30pm and get a first chance to see the book.

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“The only big proposal I have left remains that all images need to be rewilded…”
Lou Lou Sainsbury leads Wild Combination, a guided tour on how to be wild and other peculiar classifications.
Join us for this performative workshop with readings, moving image, walking and writing exercises, drawing from research into depictions of strange creatures in Medieval bestiaries. In the time-travelling tour through Flat Time House, Wild Combination explores issues of representation, wi...ldness and belonging; working towards a new classification system of inhabitants/living beings everywhere.
This is a live-performance & workshop - participants are invited to take part in some movement & writing based exercises. The level of participation is up to you. All living beings (including blemmyaes and cenocephalys) are welcome.
The day has been split into two sessions:
12pm - 2pm & 4pm - 6pm
As there is limited space for participants, please email RSVP with your preferred time at: WildCombinationFTHo@gmail.com
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This event is part of life/forms. Download the free publication that accompanies this series at lucycowling.info
It consisted of:
life/forms 1.0 | To want to be what you are at Chisenhale Studios, Sunday 5 August with a masterclass in mimicry and manipulation for ambitious orchids, led by Anna Frijstein.
life/forms 2.0 | Königin der Nachtat Kunstraum,Sunday 2 Septemberwith a sonic and organic/machinic installation by Johannes Büttner and Bastian Hagedorn, which fed off social media content.
It continues with:
life/forms 4.0 | Grid Games: P-iD vs π-eD at PEAK, Sunday 21 October with a movement class and participatory performance by Rachel Cheung, led by Piedad Albarracin Seiquer as a simulated AI.
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Lou Lou Sainsbury is a non-binary artist, filmmaker and writer based in London, UK. Their work spans through video, performance, text and sound, exploring the politics of encounters and devoted to histories of non-human representation. Their curatorial work is situated in collaborative forms of participatory learning and artists’ film. In 2016, Lou Lou founded the moving image research & screening platform Synthetic Ecology. In 2017, they were an Associate Artist at Open School East. In 2018 they will begin studying an MA in Contemporary Art Practice: Moving Image at the Royal College of Art.
Lou Lou’s projects have been shown internationally in film festivals and galleries including ODD - Romania (2018), Well Projects - Margate (2018), Guest Projects - London (2017), Alchemy Film Festival - Scotland (2017) & Cinecity - Brighton (2016). They will also be a faculty associate on Conditions at 89 Gloucester Road - Croydon (2019).
http://loulousainsbury.com
http://syntheticecology.org
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We're recruiting! Final week to apply.
The Incidental Unit is recruiting a Programme Coordinator. Deadline 19 Aug.
More info: http://flattimeho.org.uk/…/we-are-recru iting-programme-coo…/

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Only a few places left for this fantastic workshop, book now!
The 3 Dimensional Page is a four day experimental writing workshop at FTHo from 14-17 August. Organised by X Marks the Bökship
Very excited by this!... More info and booking details:
http://flattimeho.org.uk/…/education/th ree-dimensional-page/
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In-conversation between the artist Stine Marie Jacobsen with her lawyer collaborator Sarah Andrew and curator of the project Lotte Juul Petersen. They will be discussing the 'Law Shifters' project as it has been manifested since 2016 and, specifically, the work which has taken place with young people in Peckham and Camberwell over the last few months.
Free. No booking required. Drinks and good vibes.
More info: https://bit.ly/2KnHdv7
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About Law Shifters:
With the current discussions on direct democracy, legal (un)realisable proposals from citizens could play an important role on the political stage. Law Shifters strengthens young people’s democratic education in a serious yet humorous and creative way and deals with existing regulations and legislations in Europe.
During the month of April and May Stine Marie Jacobsen and Lawyer Sarah Andrew, who personally worked with John Latham, will moderate the workshops in collaboration with South London Gallery’s Young People’s program and share these with the public through the exhibition. As an exhibition, the process of law writing and discussion will be shared through printed materials, sound and workshop.
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More about Flat Time House

Flat Time House is located at 210 Bellenden Road, SE15 4BW London, United Kingdom
020 7207 4845
Monday: -
Tuesday: -
Wednesday: -
Thursday: 12:00 - 18:00
Friday: 12:00 - 18:00
Saturday: 12:00 - 18:00
Sunday: 12:00 - 18:00
http://www.flattimeho.org.uk