Hunterheugh Crags

Hunterheugh Crags are part of the Fellsandstone escarpment, 5mi north west of Alnwick, Northumberland, England and 9mi from the coast. The site is barren moorland, although prior to the Bronze Age it is likely to have been thickly forested with broadleaf deciduous trees. This site is most famous for the cup and ring mark art present on the outcrop. Place-name meaningHunterheugh derives from Old English huntor "hunter" and hoh "hill-spur". Rock artThe first phase of the carvings is all on the natural rock surface and these are now very heavily weathered. The motifs incorporate undulations of the surface into their design so that most are connected to each other by artificial grooves or by a natural rock slope which allows water to flow from one design to the next. This phase is believed to be Neolithic, and probably early Neolithic at that. This is supported by the discovery of what appears to be a broken sandstone axehead 1. 2 m from the carved rock outcrop at the base of the topsoil. Such ground and polished axeheads are known from elsewhere in Northumberland. Phase 1 of the carvings was broken through when the rock dome was quarried at a later date. New carvings were then made on the surfaces exposed by quarrying. These show no attempt to take undulations and variations in the rock (with one exception), none of the designs are inter-connected, and the shapes are more varied and more crudely executed. This phase is believed to be Early Bronze Age in date and appears to imitate the earlier tradition, but does not share the same sense of positioning.

Hunterheugh Crags are part of the Fellsandstone escarpment, 5mi north west of Alnwick, Northumberland, England and 9mi from the coast. The site is barren moorland, although prior to the Bronze Age it is likely to have been thickly forested with broadleaf deciduous trees. This site is most famous for the cup and ring mark art present on the outcrop. Place-name meaningHunterheugh derives from Old English huntor "hunter" and hoh "hill-spur". Rock artThe first phase of the carvings is all on the natural rock surface and these are now very heavily weathered. The motifs incorporate undulations of the surface into their design so that most are connected to each other by artificial grooves or by a natural rock slope which allows water to flow from one design to the next. This phase is believed to be Neolithic, and probably early Neolithic at that. This is supported by the discovery of what appears to be a broken sandstone axehead 1. 2 m from the carved rock outcrop at the base of the topsoil. Such ground and polished axeheads are known from elsewhere in Northumberland. Phase 1 of the carvings was broken through when the rock dome was quarried at a later date. New carvings were then made on the surfaces exposed by quarrying. These show no attempt to take undulations and variations in the rock (with one exception), none of the designs are inter-connected, and the shapes are more varied and more crudely executed. This phase is believed to be Early Bronze Age in date and appears to imitate the earlier tradition, but does not share the same sense of positioning.