Glen Finglas

Glen Finglas is a glen in the Trossachs, in the Stirling council area of Scotland. It is an area of forest in Highlands of the former county of Perthshire, north of Brig o' Turk, close to Callander in Menteith. To the west is Loch Katrine. The Scottish novelist and poet Sir Walter Scott wrote the poem "Glenfinlas; or Lord Ronald's Coronach" in 1803. The Glenfinglas estate was acquired by the Woodland Trust Scotland in 1996 and is open to the public. Ruskin and MillaisThe leading Victorian art critic John Ruskin (1819–1900) and the Pre-Raphaelite painter John Everett Millais (1829–1896) spent the summer of 1853 together at Glenfinlas. Millais started a painting of John Ruskin in front of a waterfall during the visit, which he finished the following year. The painting is held in the Ashmolean museum, and has been shown at several exhibitions, including "The Pre-Raphaelites" at Tate Britain in London during 2004. John Ruskin himself was especially interested in the rock formations and, although primarily an art critic, undertook his own studies of these.

Glen Finglas is a glen in the Trossachs, in the Stirling council area of Scotland. It is an area of forest in Highlands of the former county of Perthshire, north of Brig o' Turk, close to Callander in Menteith. To the west is Loch Katrine. The Scottish novelist and poet Sir Walter Scott wrote the poem "Glenfinlas; or Lord Ronald's Coronach" in 1803. The Glenfinglas estate was acquired by the Woodland Trust Scotland in 1996 and is open to the public. Ruskin and MillaisThe leading Victorian art critic John Ruskin (1819–1900) and the Pre-Raphaelite painter John Everett Millais (1829–1896) spent the summer of 1853 together at Glenfinlas. Millais started a painting of John Ruskin in front of a waterfall during the visit, which he finished the following year. The painting is held in the Ashmolean museum, and has been shown at several exhibitions, including "The Pre-Raphaelites" at Tate Britain in London during 2004. John Ruskin himself was especially interested in the rock formations and, although primarily an art critic, undertook his own studies of these.