St Peter'S Seminary, Cardross

St. Peter's Seminary is a disused Roman Catholic seminary near Cardross, Argyll and Bute, Scotland. Designed by the firm of Gillespie, Kidd & Coia, it has been described by the international architecture conservation organisation DOCOMOMO as a modern "building of world significance". It is one of only 42 post-war buildings in Scotland to be listed at Category A, the highest level of protection for a building of "special architectural or historic interest". It has been abandoned since the end of the 1980s, and is currently in a ruinous state. It was announced in early 2015 that the site had been handed over to artist Angus Farquhar, with the intention that part of it will become an arts venue. HistoryOriginFollowing a fire in 1946 at St. Peter's Seminary in the Glasgow suburb of Bearsden, a new home was needed for the seminary. Discussions began with Gillespie, Kidd & Coia in 1953, but the plans for a new college in the village of Cardross were not finalised until 1961, when building began. The college had since moved from Bearsden to temporary homes. The seminary's philosophy students were transferred to Darleith House in Cardross and the theology students to Kilmahew House. The plan was for a new building to accommodate all the students at Kilmahew House. It was a baronial mansion at the centre of the Kilmahew estate, a Victorian designed ornamental landscape created by the Burns family in the late 1800s. The mansion, built in 1865-1868, was originally a family home for James Burns and his son John, and later the Allan family, from the early 20th Century until just after the war, when the estate was sold to the Roman Catholic Archdiocese of Glasgow. Gillespie, Kidd & Coia employees Isi Metzstein and Andy MacMillan developed a radical design in which the old house would become professorial accommodation, and around it would wrap a striking new main block, a convent block, a sanctuary block and a classroom block. The old house thus became one side of a quadrangle, creating a bold juxtaposition between old and new buildings.

St. Peter's Seminary is a disused Roman Catholic seminary near Cardross, Argyll and Bute, Scotland. Designed by the firm of Gillespie, Kidd & Coia, it has been described by the international architecture conservation organisation DOCOMOMO as a modern "building of world significance". It is one of only 42 post-war buildings in Scotland to be listed at Category A, the highest level of protection for a building of "special architectural or historic interest". It has been abandoned since the end of the 1980s, and is currently in a ruinous state. It was announced in early 2015 that the site had been handed over to artist Angus Farquhar, with the intention that part of it will become an arts venue. HistoryOriginFollowing a fire in 1946 at St. Peter's Seminary in the Glasgow suburb of Bearsden, a new home was needed for the seminary. Discussions began with Gillespie, Kidd & Coia in 1953, but the plans for a new college in the village of Cardross were not finalised until 1961, when building began. The college had since moved from Bearsden to temporary homes. The seminary's philosophy students were transferred to Darleith House in Cardross and the theology students to Kilmahew House. The plan was for a new building to accommodate all the students at Kilmahew House. It was a baronial mansion at the centre of the Kilmahew estate, a Victorian designed ornamental landscape created by the Burns family in the late 1800s. The mansion, built in 1865-1868, was originally a family home for James Burns and his son John, and later the Allan family, from the early 20th Century until just after the war, when the estate was sold to the Roman Catholic Archdiocese of Glasgow. Gillespie, Kidd & Coia employees Isi Metzstein and Andy MacMillan developed a radical design in which the old house would become professorial accommodation, and around it would wrap a striking new main block, a convent block, a sanctuary block and a classroom block. The old house thus became one side of a quadrangle, creating a bold juxtaposition between old and new buildings.