Burton Agnes Hall

Burton Agnes Hall is an Elizabethan manor house in the village of Burton Agnes, near Driffield in the East Riding of Yorkshire, England. It was built by Sir Henry Griffith in 1601 - 10 to designs attributed to Robert Smythson. The older Norman Burton Agnes Manor House, originally built in 1173, still stands on an adjacent site; both buildings are now Grade I listed buildings. The Hall contains a number of fine 17th-century plaster ceilings and chimneypieces. The ceiling of the Long Gallery was restored in two stages by Francis Johnson between 1951 and 1974. The plan attributed to John Smythson presents a square block with bay windows and a small internal courtyard. All of the display has been concentrated on the entrance facade, which includes many windows and many shaped projecting bays, two square flanking the central entrance, two semicircular at the ends of the projecting wings, and two five-sided around the corners. Variety in the skyline is created by gables alternating with level parapets. The main facade is built a story higher than the rest of the house to contain a long gallery running the full length of the second floor, with the result that the minor side facades are asymmetric. The two square projecting bays flanking the central double bay contain the porch and the bay window at the screens end of the hall. This preserved a traditional arrangement, but with the doorway to the porch placed where it does not show, not in the front but in the side of its projection; in this way apparent symmetry is preserved.

Burton Agnes Hall is an Elizabethan manor house in the village of Burton Agnes, near Driffield in the East Riding of Yorkshire, England. It was built by Sir Henry Griffith in 1601 - 10 to designs attributed to Robert Smythson. The older Norman Burton Agnes Manor House, originally built in 1173, still stands on an adjacent site; both buildings are now Grade I listed buildings. The Hall contains a number of fine 17th-century plaster ceilings and chimneypieces. The ceiling of the Long Gallery was restored in two stages by Francis Johnson between 1951 and 1974. The plan attributed to John Smythson presents a square block with bay windows and a small internal courtyard. All of the display has been concentrated on the entrance facade, which includes many windows and many shaped projecting bays, two square flanking the central entrance, two semicircular at the ends of the projecting wings, and two five-sided around the corners. Variety in the skyline is created by gables alternating with level parapets. The main facade is built a story higher than the rest of the house to contain a long gallery running the full length of the second floor, with the result that the minor side facades are asymmetric. The two square projecting bays flanking the central double bay contain the porch and the bay window at the screens end of the hall. This preserved a traditional arrangement, but with the doorway to the porch placed where it does not show, not in the front but in the side of its projection; in this way apparent symmetry is preserved.